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Showing posts from September, 2024

RESEARCH AIM FOR RAC PROJECT

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Research Aim Example:  Wood Inlay Heritage Craft Of Mysore  The primary aim of this research is to explore comprehensive strategies for the revitalization of the heritage craft of Mysore wood inlay work , with a focus on balancing the preservation of traditional craftsmanship and its adaptation to contemporary market demands. Mysore wood inlay, a craft that dates back to centuries, is renowned for its intricate designs and artistry. However, it is currently facing challenges due to industrialization, a shift in consumer preferences, the decline in artisan participation, and the lack of proper promotion and recognition. This study will investigate the underlying factors contributing to the decline of the craft, such as insufficient institutional support, loss of skilled artisans, lack of training facilities for new generations, and diminishing market demand. It will explore how the craft can be protected as part of India’s intangible cultural heritage while ensuring it remains relevant

TANGIBLE AND INTANGIBLE HERITAGE IN RAC

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  Tangible Heritage refers to the physical artifacts, monuments, buildings, and landscapes that carry historical, cultural, or artistic significance. These are objects and structures that can be touched, seen, and measured, and they often represent the material culture of a society. Examples include architectural masterpieces, archaeological sites, manuscripts, paintings, sculptures, tools, and everyday items of cultural or historical importance. Tangible heritage serves as a direct link to the past, embodying the values, beliefs, and technologies of earlier generations, and is preserved for its educational, cultural, and historical worth. Preservation of tangible heritage involves maintaining the physical integrity of these items through conservation and protection efforts. Intangible Heritage , on the other hand, refers to the non-physical, living practices, expressions, knowledge, and skills passed down through generations. It includes oral traditions, performing arts, social pract

INSIGHT GENERATION-PROBLEM STATEMENT-PROPORTIONS

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  1.      Elaborate   ‘Insight Generation’ for Design Thinking in your own words. 2.      What is a Problem Statement in Design Thinking? What is included in this statement. 3.      Explain the term ‘Thinking in Proportions’ vis-a-vis Interior Design.     1. Insight Generation in Design Thinking: Insight generation in Design Thinking is a critical phase that helps transform data into meaningful understandings, which ultimately shape the design process. The process involves collecting observations, conducting user interviews, and analyzing user behavior to dig deeper into the ‘why’ behind the actions. Insights go beyond superficial observations and tap into the motivations, emotions, and underlying drivers of human behavior. For example, if a design team observes that users struggle with navigating an app, they don’t just note the difficulty but explore why users find it challenging. It could be due to the app’s interface being too complex for non-tech-savvy users or becau

GREEN TEXTILES FOR INTERIORS

  Green textile materials are eco-friendly fabrics produced with minimal environmental impact. They focus on sustainability through the choice of raw materials, production processes, and end-of-life disposal. Here's an overview: 1. Natural Fibers Organic Cotton: Grown without synthetic pesticides or fertilizers, organic cotton reduces soil and water pollution. It is a staple in eco-friendly textiles due to its biodegradability and softness. Bamboo: Fast-growing and renewable, bamboo is often used in textiles. It is naturally antibacterial and requires less water and pesticides than conventional crops. However, its processing into fabric can be chemically intensive unless done mechanically. Hemp: Known for its strength, durability, and minimal need for pesticides or water, hemp is one of the most sustainable textiles. It can be grown in a variety of climates and improves soil health. Linen (Flax): Derived from t

FIBRE TO YARN

  Explain How Yarn is Produced from Fibers Yarn is produced from fibers through a process called spinning. Here’s a step-by-step explanation: 1.      Fiber Preparation: o    Natural Fibers: For natural fibers like cotton or wool, the fibers are first cleaned and sometimes carded (separated and aligned) to remove impurities and prepare them for spinning. o    Synthetic Fibers: Synthetic fibers, such as polyester, are often produced in long filaments and might require processing to cut them into shorter fibers or prepare them for spinning. 2.      Spinning: o    Carding: In this stage, fibers are brushed and aligned to prepare them for spinning. Carding separates and organizes fibers into a continuous web or sliver. o    Drawing: This involves pulling the fiber slivers to align them further and blend them into a uniform thickness. o    Spinning: The prepared fiber slivers are twisted together using a spinning wheel or machine to form yarn. The spinning process create